- DAN BLOOM: When did you first hear about the cli-fi term?
- DAVID BARKER: I first heard the term Cli-Fi used by a literary agent when we were discussing the manuscript that formed my debut novel. It would have been June 2015. At the time, the agent thought that Cli-Fi had been and gone after a burst of interest ten years earlier, such as the film The Day After Tomorrow and several similar-themed novels. I was intrigued by the snappy moniker, but surprised to hear that the genre might have had its day already! I personally thought that the time was right for even more focus on climate change, especially water shortages. So I viewed that agent’s rejection as only a minor set-back on my journey towards publication.
- DAVID BARKER: Everyone has their own idea of what people mean when they say Sci-Fi, but for me it is associated with space and technologies way in advance of our own. I love Sci-Fi novels and films. They will always be one of my favourite types of story. Star Wars: The Force Awakens, and Guardians of the Galaxy are great escapism adventures. Wikipedia defines Sci-Fi as a sub-set of speculative fiction, and I think this broader notion captures the nature of Cli-Fi novels very well. I was really keen to set Blue Gold in the near future to make people realise that the tragic consequences of climate change may not be decades or centuries away. I speculate on a key question: who will keep the peace during a world war for water?
- DAVID BARKER: Movie options? No! But I am certainly keen to get it in front of the right people. Films producers will tend to gravitate towards books that are already very successful; it’s likely less of a financial risk for them. But a breakthrough can sometimes be a matter of luck – somebody of influence picks your book up at the airport, reads it on the beach and hey presto! An offer is on its way. Nearly all of the people who have read Blue Gold remark that its action scenes are very cinematic and that it would make a great movie. So I’m keeping my fingers crossed and putting out feelers...
- DAVID BARKER: Blue Gold’s theme is: what will humanity do when our most basic resource, fresh water, becomes a scarce commodity? It’s a spy adventure set in the near future during a world war for water. So the novel will appeal to fans of James Bond and Jason Bourne. But it has elements of political thriller in there. And, of course, a message about climate change although I’ve been careful to make sure that the book isn’t preachy, which can be a turn off for readers. In terms of local media, I already appear on a monthly book show with BBC Radio Berkshire, which is great exposure. The local newspapers in the UK have really tiny circulations, so I am aiming for some of the bigger newspapers but obviously competition for interviews/articles in those is much tougher.
- DAVID BARKER: For promotions and PR, my publisher does some of the marketing for me via a traditional distribution and sales company, via social media as well as at book fairs. My personal marketing campaign included a blog tour – whereby I got several book bloggers to agree to host me on consecutive days around the launch date for Blue Gold. I did book signings at local bookstores and on four occasions now have done talks about water shortages as well as my journey to becoming a published author. Most recently I engaged Smith Publicity to run a targeted three-week campaign in the US. It cost me US$1800. Their approach is very thorough and professional and they have helped raised my profile. It’s too early to say whether there’s been a noticeable lift in sales. I didn’t decide to continue with the campaign on an ongoing basis partly because of the cost, but partly because I felt they had achieved a reasonable success rate already. A fellow author who self-published a book last year had used Smith Publicity and had been pleased with the results, so I figured it was worth trying for my book too.
PR from SMTIH PUBLICITY!
How to turn an economic forecast into a Cli-Fi novel
By David Barker
分享 Facebook Twitter Flipboard Google+ Reddit WhatsApp Digg NewsVine Webnews Facebook Messenger StumbleUpon Google Gmail Tumblr LinkedIn Pinterest
Stories about climate change have been around for longer than you might realise. Jules Verne wrote a tale about a sudden change in temperate at the North Pole over one hundred years ago. JG Ballard penned a novel about rising sea levels more than fifty years ago. But recently such stories have managed to claim their own label: cli-fi. It rhymes with Sci-Fi in meaning as well as sound, but authors like myself who write about planet Earth in the near future feel uncomfortable giving their books a Sci-Fi label, since this often implies tales of the far future in galaxies far, far away.
In my previous role as chief economist at an international fund, it was my job to think about future trends and their effects on financial markets. While I was researching the prospects for commodity prices, it was clear that one vital resource had no tradeable market but the potential to become a new source of global conflict as shortages loomed: water. I became fascinated by the topic and dug deeper with my research.
At the time, I had no idea that I was destined to become an author or that Cli-Fi was even a genre. But an image stuck in my head: the opening scene of a story. It took me a couple of years to flesh out that initial idea into a rounded plot. The ending of the novel was quick to come, but joining the dots and thinking about what the world might look like fifteen years into the future was hard work. As nearly every author will tell you: especially when you are trying to hold down a full-time job. At least my daughter's bedtime routine at that time - when she would often ask me to make up a story - helped keep the creative juices flowing. Blue Gold, my debut novel, was on its way.
Why are water shortages becoming worse? To boil down a complex issue into two broad components: demographics and climate change. Over the next twenty years the global population is expected to rise by 20%, that's 11/2 billion people who will need food and water. Unfortunately, most of those extra people are likely to be born in regions of the world already stressed by water shortages: Africa, the Middle East and Asia. And while climate change does not alter the amount of water on the planet, extreme weather conditions such as drought and flooding are becoming more common and they make water supplies harder to manage.
When the price of oil shot up after 2004, people economized by driving fewer miles and buying smaller autos. What would happen if the price of water followed a similar trajectory? While most households in the western world can probably think of ways to use less water, families elsewhere - already down to a bare minimum of water - would struggle to economize and would struggle even more to pay higher prices.
It was probably no coincidence that the Arab Spring of 2010-12 occurred during a period of rapid increases in the price of flour and bread. People like to grumble when luxury items become more expensive. People riot when basic, essential items become unaffordable. Sadly, a much higher price for water may be needed to get industry to innovate and a crisis may be required to get governments to take the issue seriously. For now, we are simply tapping into vast underground reservoirs known as aquifers and hoping that the taps never run dry.
Back to my story. I knew that I wanted it set in the near future, to make people sit up and take notice. This is not a far-future dystopia that we have plenty of time to avoid. I had to find a way to make the story exciting. A World War for Water became the backdrop to my novel, in which two British agents get sent on a dangerous mission. I attended the London-based Faber Academy writing course to help avoid some of the pitfalls of writing, such as showing off all my research in the novel and preaching to the reader.
Finally, my novel was ready to share with the world. Just one snag: who was going to publish it?! As other writers will testify, that's a pretty big hurdle. The Cli-Fi moniker is still not widely accepted as a mainstream genre. So, what was I trying to sell? Blue Gold is part spy story, part action adventure and part political thriller. All set in the future. Anecdote: this latter point closed at least one door to me. A very famous literary agent said he liked my writing but never got involved in stories set in the future.
But at last, I hooked up with Urbane Publications - an independent house based in England that is willing to take risks with new authors and with stories that do not always fall neatly into standard categories. It's been an amazing experience and a delight to see my book in stores and to hear readers' reactions. During my author events over the past 3-4 months, I have been raising awareness about water shortages. And raising funds for some of the excellent work that charities such as Water Aid do in this sector. If you want to know more about any of the subjects covered by this article, please feel free to reach out to me at the website listed below.
recommend this article
Page: 1
David Barker lives in Berkshire, UK with his wife and daughter. His debut novel, Blue Gold, was published in May 2017 by Urbane and the sequel, Rose Gold, is due out in May 2018. He attended the Faber Academy novel writing course in 2014 whilst working in the financial industry and recently gave up his economist's job to become a full-time writer.
He is a panellist on Radio Berkshire's monthly book show Radio Reads. And he is passionate about our planet and love playing sports.
You can find out more about him on his website: www.davidbarkerauthor.co.uk and follow him on twitter: @BlueGold201
Related Keywords:international,
Source:Digital Media Online. All Rights Reserved
“Conspiracy” is a motif that frequently appears in climate change literature. One prominent example in the English-speaking world is Michael Crichton’s State of Fear (2004), which portrays climate change as a deception invented by environmental activists, thus absolving humankind from blame. The conspiracy motif, however, also appears in 
Böttcher’s thriller also focuses on the financial aspects of climate change: in the novel, the director of a major climate institute, who has invested heavily in a wind farm, senses an opportunity to eliminate his biggest rival, a photovoltaic manufacturer in China. Using a precise computer forecasting system, he plans to prove that millions of people will die as a result of climate change, China being to blame as the worst carbon emissions culprit. In fact, however, the dramatic weather events that were forecast fail to materialize.
In Ilija Torjanow’s climate change novel Eis Tau (2011), humankind is explicitly held responsible for climate change. This time, however, the accuser is one of them: Zeno Hintermeier, the novel’s protagonist, is convinced that humankind will destroy everything “that places itself on nature’s side”. As a glaciologist and the leader of cruise ship exhibitions in the Antarctic, he becomes a key witness to the environmental destruction that goes hand in hand with technological progress exploited for tourism: the Antarctic, formerly a desolate continent of courageous explorers, can suddenly be “conquered” even by old-age pensioners thanks to modern ships. 
In response to the ongoing “tortilla fights in Mexico” and the “pasta demonstrations in Italy”, many industrialized nations have stepped up their military presence. This is the backdrop against which Maeva, the Tahitian president, embarks on a journey around the world aimed at bringing about a paradigm shift. Maeva is battling for an ecological restructuring of all areas of life, for a shift towards a natural circular economy and for sustainable monetary and land regulations and cosmopolitanism.
1 comment:
You want to know about cli fi novels in German?
''Well, Ilija Trojanow's novel 'EisTau' (Melting Ice) is probably the best known German novel on climate change. AND he adds:
''Since the 1990s, about 20 popular novels on global warming have also been written in German.
As with the English novels, these range from action narratives in which climate change only serves as a backdrop to thoughtful engagements with the social and psychological implications of global warming, from the alarmist to the satirical, and from passionate calls for action to sceptical refutation.
One of the earliest German cli fi novels would be Günter Grass’s Totes Holz (Dead Wood, 1990): extreme weather events are the most immediate tangible manifestations of climate change in Europe, and it is no accident that the first clifi novels are prompted by them.
Anton-Andreas Guha’s Der Planet schlägt zurück (The Planet Strikes Back, 1993) was an early example of German climate change sci fi.
Thrillers include Frank Schätzing’s phenomenally successful Der Schwarm (The Swarm, 2004: but climate change only plays a marginal role there) and Ulrich Hefner’s Die dritte Ebene (The Third Level, 2009).
Dirk Fleck’s Maeva! (Maeva!) was the final part of a trilogy of speculative accounts of the consequences of climate change. This had begun with the dystopian novel GO! Die Ökodiktatur (GO! The Eco-Dictatorship) in 1994: the second book, Das Tahiti-Projekt (2007), portrayed a utopian state in the Pacific and explicitly promoted the political philosophy of "Equilibrism".
Crime novels include Till Bastian’s and Nele Neuhaus’s Tödliches Klima (Lethal Climate, 2000) and Wer Wind sät (He Who Sows Wind, 2011): the latter resembles Michael Crichton’s State of Fear in in 2004 interpreting global warming as a conspiracy of scientists seeking funding for their project teams, consequently a matter for healthy scepticism and self-assertion against authority.
Literary treatment of climate change in the German language also includes works of young adult YA literature, seeking to enlighten readers at the same time as entertaining them, such as Claus-Peter Hutter and Eva Goris’s Die Erde schlägt zurück (The Earth Strikes Back), and Cornelia Franz’s Ins Nordlicht blicken (Looking into the Northern Lights, 2012).
Probably the best known German climate change novel is "Eistau", or "Melting Ice", which explores the physical, social and psychological consequences of climate change through the story of a German climate scientist whose life is thrown into crisis when the Alpine glacier which he has spent his life observing and measuring melts, leaving just a heap of muddy boulders.
Other European clifi novels include the French Michel Houellebecq’s The Possibility of an Island (2005) and Finnish Antti Tuominen’s dystopian thriller The Healer (2011) have been well received in English translation.
See also Sven Böttcher's Prophezeiung (Prophecy, 2011).