''The Cli-Fi Report'' is the world's largest portal for all things cli-fi, a stand-alone genre of its own, with news links from blogs to videos to Wikipedia to Twitter to news links and Facebook Groups. See the portal, the largest Cli-Fi portal on the Internet at cli-fi.net / MEDIA inquiries at: firstname.lastname@example.org
Friday, March 23, 2018
Burning Worlds is Amy Brady’s monthly column dedicated to examining trends in climate fiction, or “cli-fi"
To discover more about which books are being taught, and what kinds of questions they’re inspiring in the classroom, Dr. Brady reached out toElizabeth Rush, a visiting lecturer in English at Brown University — where she recently taught a climate fiction class.
Her syllabus also outlined a set of fascinating questions that frame her course: “What…does it mean that [''cli-fi''] has one foot firmly placed in the present tense? How can we distinguish [''cli-fi''] from its predecessors? And in what ways does fiction create an imagined world that gives voice to resistance now?”
This focus on not only climate fiction’s reflection on–but its influence of–the present moment suggests that the genre has a social purpose that goes beyond mere entertainment. That’s an inspiring—if robust—view of what literature can do, and one that Dr Brady hopes to continue investigating in her future Cli-Fi Trends columns.
Dr Brady asked Rush to recommend some of her favorite works of ''cli-fi'' (novels and short stories) to both read and teach—and to explain why she chose them. Her responses are in this link below: