Cave, who is now the editor of the New York Times in Australia bureau, a new posting for him, wonders why ''some'' (just some, most are open to new things) Australian sci-fi lit critics, among them James Bradley and Lucy Sussex, tend to be publicly negative towards the new lit genre of cli-fi, with sci-fi booster Bradley in the SMH in 2015 calling it "an unfortunate shorthand" ''[for climate fiction]'' and sci-fi short story writer Sussex calling it "an appalling term" in the Sydney Review of Books just the other day. Cave notes in a Times newseletter for readers of the Oz edition and his take is headlined''The Fall and Rise of Australian Culture ''
and he writes among other things: ''Sebastian Smee, a wonderful Asutralian art critic who returned to Sydney this year after winning a Pulitzer with the Boston Globe, wrote for us about the Art Gallery of New South Wales and its struggle to obtain the financing it needed to expand its exhibition and event space.''
''Later in the week, Besha Rodell, another Australian who has become a standout in the United States — in her case, Los Angeles — explored the battle over how to modernize Melbourne’s beloved Queen Victoria Market. ''
''Both pieces ***mined the tension*** in Australia that ***often seems to come with proposals for the new, the bold, the different.*** This is something Ben Shewry, the world-renowned Attica chef who Sam Sifton profiled this week as part of a special series of features on Australian food and drink, talked about when we hosted an event with him in Melbourne last month: ***the degree to which Australia tends to criticize new ideas and new literary genres, the nails that stick out, [just like Japanese culture].
Damien added: ''So is Australia becoming more open to bold creative expression or is this country ***just as eager as always to cut down the tall poppies who stick their heads up and stand out? "***
---- ''Quick, don’t overthink it: What comes to mind? What have you seen, heard, tasted, watched or read lately that’s Australian and that has really moved you or challenged you or made you want to share it with the world? ''****Write to us at firstname.lastname@example.org, *** and tell us what it is (multiple examples are welcome; if you've got a Top Five, I want to know) and explain your choice. In the next NYT OZ newsletter, I'll share a few choice contributions.Don't feel a need to be snobby, either. What we're trying to explore here is how Australians experience culture high, low or in-between and what that might reveal about the country's attitude toward insurgent creativity. ''
Several Australians already chimed in about Bradley and Sussex, and Australian literary critics and so-called public intellectuals
saying that James and Lucy were part of the problem and not part of the solution.