''The Cli-Fi Report'' is the world's only portal for all things "cli-fi," a stand-alone literary genre of its own, with news links from blogs to videos to Wikipedia to Twitter to news links and Facebook Groups. See the portal, the only Cli-Fi portal on the Internet at cli-fi.net / MEDIA inquiries at: firstname.lastname@example.org
Thursday, August 30, 2018
China is late to the game of sci-fi and cli-fi .....but things are changing now with the release of this cli-fi movie
OCTOBER 10, 2018 --- GERMANY -- As alarm bells over global warming ring louder, authors are increasingly turning to climate change fiction to dramatise the catastrophic effects of droughts, hurricanes and floods -- and inspire action.
"It is difficult for us to notice these things in our day-to-day lives," she told AFP.
But with climate fiction, "you can imagine being a person whom flood or drought displaces, and with that imaginative stance can come radical empathy."
For Norwegian novelist Maja Lunde it started with a documentary about colony collapse disorder, the mysterious die-off of bees that has sparked international concern.
"I had an epiphany: this is what I want to write about," Lunde told AFP.
"The History of Bees", which conjures up a world without bees where humans have to hand-pollinate trees, became a global bestseller, selling over 1 million copies worldwide and translated into more than 30 languages rlound the globe.
Sensing that she "wasn't done yet with this topic", Lunde has set out to write a quartet of climate change novels. The second book, "Blue" deals with a shortage of water and was published in Norway last year.
Lunde discussed her novels at the October 2018 Frankfurt book fair, the world's largest publishing event where cli-fi is expected to feature prominently.
"People are caring about climate change more and more... and authors write about what makes them scared."
The latest UN IPCC climate report, which warned that drastic changes were needed to prevent Earth from hurtling towards an unlivable rise in temperature, showed that the situation was "getting worse", Lunde said.
"But we can still do a lot," she added. "We can all do something. I absolutely think that climate change fiction can change minds."
The earliest examples of cli-fi date back decades with Britishh sci-fi writer J.G. Ballard's 1962 novel "The Drowned World", where melting ice caps have partially submerged an abandoned London, considered a classic of the genre.
But Bloom, 70, said cli-fi was "made for the 21st Century".
"Here we are: floods, heatwaves, water shortages, climate refugees," he told AFP, "I didn't invent cli-fi. Cli-fi invented itself."
This year's unusually hot summer, when extreme wildfires ravaged parts of Europe and California, has made the public even more aware of climate events linked to global warming, Bloom said, fuelling "a hunger to read cli-fi novels".
But like any good novel, he stressed, cli-fi stories should at their core "be good storytelling, full of emotion and memorable characters."
Barbara Kingsolver's "Flight Behaviour" (2012), about the sudden arrival of huge flocks of monarch butterflies in a Tennessee forest, and Margaret Atwood's dystopian MaddAddam trilogy count among the must-reads of the genre.
Amy Brady, literary critic who writes a monthly ''cli-fi trends'' column in Chicago, and now a newsletter editor here, writes:
It's been a rough summer here in 2018 in the United States, Canada and in Europe, too.. The western USA states have suffered intense heat and wildfires, while here in the mid-Atlantic rainfall has been as high as 300% of normal. During these times I feel very lucky to have found a community of people who care so deeply about climate change and its multifarious effects on the planet. Thank you.
Speaking of like-minded individuals, we have a TON of new subscribers this month. So it's a good time, I think, to remind folks what this newsletter is all about. Roughly a year and a half ago, I launched a monthly column at the Chicago Review of Books called "Burning Worlds." It's dedicated to exploring how contemporary writers are thinking about ''cli-fi'' and climate change. This newsletter expands that cli-fi trends project by looking at how artists working in all kinds of mediums (painting, music, theater, literature, etc) are looking at the issue. Incredibly, this issue marks the seventh "Burning Worlds" newsletter, and readership has grown exponentially thanks to your efforts to spread the word.
So please - keep it up! If you have friends or colleagues who would enjoy this newsletter, send them this link so they can subscribe, too.
This month I have for you an interview with Danielle Nelisse, an immigration attorney, private investigator, and--painter! Her "Wildfires" series, which was inspired by nine wildfires that surrounded her California art studio in May 2014, is on view at the U.S. Embassy in Bahrain through July 2020. I hope you enjoy our conversation as much as I did.
Until September! -- Amy Brady
INTERVIEW WITH PAINTER DANIELLE BONITA
Amy:What inspired the "Wildfires" series?
Danielle: My “Wildfires” series was first inspired in 2014 when nine wildfires simultaneously surrounded my art studio in Southern California. While I stood in my art studio creating the first “Wildfires” paintings on two canvases side-by-side, my family members checked in over the phone. I just kept painting. The sky became dark with charred ash.
The massive wildfires were fed for days by hot Santa Ana winds that blew in from the desert. To date I have completed nine wildfires paintings and luckily I haven’t been ordered to evacuate my art studio yet.
Amy: What led to the “Wildfires” series being shown at the US Embassy in Bahrain?
Danielle: When Justin Siberell was appointed as Ambassador by the President, he sought artwork from a California artist to exhibit at the U.S. Embassy in Manama, Bahrain. His staff contacted me and told me that he connected with my artwork because he is originally from California and as a former fire fighter he wanted to share his memory of the wildfires in California with the people of Bahrain.
Amy: What do you hope viewers will take away from “Wildfires”?
Danielle: I often use art to depict imagery associated with climate change. I feel that a majority of people are overwhelmed with emotions regarding the negative impact of climate change, and the fact that solutions are too complex to implement quickly or easily by any one person or any one government or any one country.
I know when people feel they are not free to express their emotions it compromises their emotional and physical health. By creating abstract paintings that address climate change, I invite viewers to vent their emotions about what is interpreted as a devastating and staggering problem for an international community to solve.
Amy: Many experts say that California’s wildfires are exacerbated by climate change. Do you think about climate change beyond what you paint in the studio?
Danielle: I worry a lot about the negative impacts of climate change. Living in Southern California I am exposed to the consequences of long term drought conditions and see lakes dry up, see mudslides take place after the fires, see lawns removed in favor of xeriscape landscapes, and see wildfires all year round.
These days wildfire firefighters are facing situations they have never encountered, such as a 100 foot wall of flames and triple digit heat for 25 consecutive days.
Eighty-nine large wildfires are currently burning in the United States, but I can’t help but notice that global warming has resulted in wildfires not only in California, but worldwide. Europe just suffered its deadliest fire season in more than a century.
According to Stanford University climate change scientist Noah Diffenbaugh, “We now have very strong evidence that global warming has already put a thumb on the scales, upping the odds of extremes like severe heat and heavy rainfall. We find that global warming has increased the odds of record-setting heat events over more than 80 percent of the planet.”
Amy: What role do you see art playing in our larger conversations about climate change and ecological disasters like wildfires?
Danielle: For about ten years or more, artists like me have been expressing our concern by creating artwork about climate change and ecological disasters. Making my “Wildfires” painting series allows me to release anxiety and express my emotions about climate change. I can only hope that if my art is in the right place at the right time it might provide an opportunity to impact policy makers by sparking productive conversations.
Just a few days ago, the United Nations officially recognized climate change as a cause for migration, outlining ways for countries to cope with communities that are displaced by natural disasters as well as "slow onset events" like drought, desertification, and rising seas. I believe that artists can help keep this issue at the forefront by constantly reminding the public that climate change needs our immediate attention.
Amy: What’s next for you?
Danielle: Within the next month I’m moving my art studio to the Hawaiian island of Maui. Rising temperatures, king tides, shifting precipitation patterns, warming and acidifying oceans and other climate change impacts are already affecting the islands in ways that will change them permanently. Given the rise in sea levels, it may be my last chance to experience and artistically record island life.
Danielle Nelisse is an Artist, Private Investigator, and Immigration Attorney. Growing up in the sixties in the gritty city of Detroit influenced Nelisse’s social values and she has a deep commitment to human rights issues like civil rights, equality and fairness. Nelisse has formal training in art, law, criminal investigation, and urban planning. Her experience as a private investigator specializing in homicide cases provides her with an informed perspective on human action, human interaction, and how economic and environmental factors influence human behavior. As an immigration attorney she has years of experience with the impact of climate change on her international clientele as they migrate. Her art is exhibited by museums, universities, and fortune 500 companies. You can contact her by visiting her website, www.daniellenelisse.com, by phone, (619) 379-5518, or via email at email@example.com.
The Huffington Postinterviewed several cli-fi novelists and experts about the depiction of immigration in climate fiction. Reporter called KSR ''the godfather of cli-fi.''
Why New York 2140 is more timely than ever
To celebrate the paperback release of Kim Stanley Robinson's cli-fi novel New York 2140, Dr Michael Svoboda atYale Climate Connections takes a look at the science behind it -- and why the novel resonates so strongly with readers.